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Sreenivasan's Pachamarathanalil

Post Reply Post Reply  Nikhil Narayanan
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  Quote agnisharman Quote  Post ReplyReply Direct Link To This Post Topic: Sreenivasan's Pachamarathanalil
    Posted: 17 - May - 2008 at 03:48

Cast: Sreenivasan, Padmapriya, Lalu Alex, Lal, Nasser, Suraj Venjaramood, Bijukuttan, Sreeraman, Sona Nair, Cherthala Lalitha
 

Director: Liyo Thaddeus
Producer: Suresh Kumar
 
Cinematography: Manoj Pillai
Screenplay: Liyo Thaddeus
Story Writer: Liyo Thaddeus

 

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  Quote agnisharman Quote  Post ReplyReply Direct Link To This Post Posted: 17 - May - 2008 at 03:56

Review by Paresh C Palicha on rediffNews

Sreenivasan seems to be losing his Midas touch. His latest Malayalam film Pachamarathanalil directed by debutant Leo Thaddeus is a big disappointment when compared to Arabikatha or Kadha Parayumbol, the films that bridged the gap between critical acclaim and commercial success.

Leo tries to float on the crest of Sreenivasan's luck as he etches out a character that suits the actor to a T but cannot weave a cohesive tale around him. The story of this film is inspired by a few others like Mani Ratanam's Kannathil Mutthamittal to mention a few.

The story goes like this: Sachidanandan (Sreenivasan) is a cartoonist famous for creating fairy characters for a children's magazine. He has a seven-year old girl Sneha (Baby Ahina), an over-smart talented kid representing today's generation. His wife Anu (Padmapriya) has a regular job.

The kid is spotted by an ad-filmmaker during a school programme. He convinces Sachi about the girl's talent. Now it is up to the girl and her father to convince the mother, which is done so in a few funny scenes.

From there the film takes an unexpected turn towards a suspense thriller after the girl disappears during a bus ride from Chennai to Pollachi (to shoot for the ad) in the middle of the night.

The narrative takes different forms as it goes to and fro from the present to the past unravelling a few mysteries that confuse us no end. And the culprit for all this confusion is the screenplay, which never settles on a linear form as the rigmarole continues till the fag end touching upon lethargy in police department to terrorist attacks and communal hatred.

Sreenivasan is his usual self with his self deprecatory humour (making fun of his own physical attributes and penury). Padmapriya as the nagging wife is convincing.

The presence of Naseer as the police officer investigating the missing case is not justified as any second rung comedian could have fitted the role. Suraj Venjaramoodu and Biju Kuttan (as if their presence is mandatory to make Malayalam movies these days) provide some hilarity.

On the whole, Pachamarathanalil, despite being posing as an intense drama leaves us bored

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  Quote agnisharman Quote  Post ReplyReply Direct Link To This Post Posted: 20 - May - 2008 at 18:38

Pachamarathanalil : The Movie Trailor

 
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  Quote agnisharman Quote  Post ReplyReply Direct Link To This Post Posted: 20 - May - 2008 at 18:40
Songs from the movie Pachamarathanalil
 
Janma Theerathngo
 
Kollathirunnal
 
Chithrathooval
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  Quote agnisharman Quote  Post ReplyReply Direct Link To This Post Posted: 03 - February - 2009 at 09:37

Actor Sreenivasan lashed at the superstars and the waning quality of Malayalam films at a meet the press conducted at Calicut Press Club on Monday the 2nd feb 2009.

"The superstars control the Malayalam film field without considering quality by acting in all the substandard films offered to them. With this act they are cheating the public. Superstars are not outdated and that is why they continue as superstars. But without selecting the best scripts, they are getting involved in the production of low quality films. They can wait for good films. It is more regretful that they are least bothered to do good roles.

The practice of writing for a Superstar, considering the mannerism is not advisable. In foreign countries designated agencies scrutinize the script and approve it and then the producers accept it. After this process they decide the director and actors. This is the method to be adopted.

There is no such division in films called Art and Commercial. There are only two types of films, good and bad. The films I do make me happy. Even if you give me Rs. 15 crores and 15 years, I cannot make the kind of film that Satyajit Ray made. When asked about the future plans of his son Vineeth, he replied, let him choose his own path. I don't think he would act in films in the future. He is about to direct a film.

Director of the film Makante Achan, V.M. Vinu also attended the press meet and said, "It is difficult to get a prominent actor in Malayalam to accept a role with a wife and teenage son. Under these circumstances I approached Sreenivasan and he wholeheartedly accepted it."

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